Researcher

Dr Cadence Kinsey is a British Academy Postdoctoral Fellow in the Department of Art History at UCL. Her research is focused on the social, political and historical inter-relationships between imaging technology, constructions of gender and sexuality and theories of science and technology. She has written on a range of influential artists including Carolee Schneemann, Kate Craig, Lynda Benglis, and Nell Tenhaaf, as well as emerging artists such as Ed Atkins, Helen Marten, Helen Carmel Benigson and Amalia Ulman. Cadence’s current research is focused on digital technology, particularly in relation to questions of materiality and theories of subjectivity. Her PhD is freely available to read here

Cadence has held visiting lectureships at the Courtauld Institute of Art, the Slade School of Fine Art, and Imperial College London, where she has taught on a range of topics at both BA and MA level including: theories of live art and the event from 1900 to today; theories of modernism in the wake of postmodernism; art and technology from photography to post-internet art; and the various relationships between science and visual culture, from forms of scientific representation to art-science crossover practices. More information about her wider teaching and research can be found here

 

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